Thursday, 3 November 2011

3rd Nov 2011 James Thieree, Grandson Of Charlie Chaplin

Nov 03A
I guess not too many are familiar with the name James Thierree, a mouthful to start with if your normal language is English. But if you mention Charlie Chaplin, everybody but everybody knows him, whatever nationality you are, as he is definitely the world known figure. 


Son of artists, James is the grandson of Charlie Chaplin. He is director, actor, acrobat, violinist ... After dazzling the public with 'La Veillee des Abysses' he returned with 'Raoul'. Who is Raoul? James explained in a TV interview that Raoul is a character with huge conflict with himself. He attacks a tower and discovers that locked inside is himself. It's a metaphor of the struggle of man to free himself of the shell, the casing, that he constructed as defence. Although the scenario is dark, it's a visual party. There are humour, dance and merriment. It's an optimistic story. The show just premièred in the National Theatre of Catalunya.
 
It might seem that Raoul is lonely, a solitary figure, but not really so; he's visited by animals. In the show, the animals are cloth puppets, as real and live ones are prohibited to be used as performers in Barcelona. I am glad this is so, as seeing an elephant doing silly and absurd dance steps but with sad eyes and miserable expression just hurts my sensibility.


Apparently he is a real good magician as well. I know full well that all magic on stage is just tricks, clever illusions and seamless manipulation, but the child in me always enjoys magic, more admiring the perfect skill that has me willingly and happily fooled, for just a moment. He is great in that he never uses computer enhanced tricks, the beauty and intrigue based only on simplicity, added with theatrical performance. My cup of tea.

Prev: 3rd Nov 2011 Harrison's 'Living In The Material World'

3rd Nov 2011 Harrison's 'Living In The Material World'

Nov 03
Within the frame of Festival of Musical Documentary 'In Edit', one of the germs projected this season is George Harrison's 'Living in the material world', an rapprochement of the veteran movie maker Martin Scorsese, depicting the renowned figure of the 'Beatles' died 10 years ago.



The film, more than 3 hours, is not a minute too long. It roams along the life and work of the musician from his incorporation, in his adolescence, to the group of Lennon & McCarthy, till his death at the age of 58, victim of cancer. But, more than anything else, it's a very interesting revision of the phenomenal Pop through one of the most genuine saints.
 


In the numerous old images, songs and testimonies included in the documentary, it surprises how close the sensibility of 'The Beatles' still evokes today, and how far away the 'Flower Age' was; the eternal youth, LSD and meditation in the shade of the Taj Mahal.



In some way, The Pop culture amongst us is all it's strength, but the social ambience that surrounded it's explosion has but completely dissolved. Listening today 'Here comes the sun', one of the most beautiful input of Harrison to The Beatles, still produces enormous pleasure to enjoy a song energetically optimistic, a declaration of unwavering hope, one of the twilight Hymns of the happy and carefree 60's. It provokes also uneasiness knowing, that it formed part of a brilliant history that ended sadly.
 


The sun came down years later when John Lennon was assassinated. Today, several wars and millions of unemployment later, with the society more unequal than ever before, no sensible youths compose similar songs.



Footnote: It seems frivolity or triviality to write of anything today but the precarious situation of Greece, or of the political crisis in Europe, but remember, that the song 'Here comes the sun' was edited within the Album 'Abbey Road' in 1969, governed then in Athens by the pinnacle crown, dictatorship that, amongst many other atrocities, prohibited 'The Beatles'.

Prev: 2nd Nov 2011 Photo Stories - The Astute Thief & The Mind Game