
Since
1984, The Tate Gallery concedes the Turner Prize, born with the
vocation to reinforce its presence to nurture modern art in it's varied
forms and structures. Mostly delightful or astonishing, and occasionally
polemical, but never passes unnoticed.
Once a year it offers the opportunity to bring up to date the new tendencies of modern art, and last Monday was such an occasion. A board of prestigious judges had selected and pronounced the best. It's not always easy for the public to comprehend the paths present day artists take, more difficult still to penetrate the sensibility of the judges, and to discover why precisely this artist and not the others had been elected.
Let's see what is there in common the between the winners of the Turner Prize of recent times. In 2007. Mark Wallinger won, with his creation of a camp that a pacifist had installed in the Parliament Square, against wars, amongst them that in Iraq.
Tomma Abts was the selected in 2006; his were abstract forms on canvas of small formation. In 2005 Simon Starling put on his exhibits of objects already in existence, like bicycles, in sculptural pieces. And Damien HIrst got it with a cow and is one of the few artists, even in this period of crisis, sell his work in the sum of millions.
From simple deduction one can perhaps gather up the idea that
1: Art changes at vertiginous speed,
2: The judges of the Turner prize changes at vertiginous speed,
3:
The public need to change the perception at vertiginous speed to adapt
their sensibility to the ever changing revolution of art, and .....
4:
The collectors have to save at vertiginous speed, because the winners
of Turner Prize sell their art at higher and higher prices.
We all know scandals and provocation sell, also the exotic and media icons. But don't be alarmed. As mere public, all you need to know is that in 2008 the winning modern art is Felix and Garfield the Cats and Homer Simpson, by the British artist Mark Leckey, with his prize, apart from instant fame for his unknown work in the future, was €29,400 for 'promoted and deepened' visual communication.
I have since stopped following the trend, not a fan of Simpson and the like.
Tags:Tate,turnerprize
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