Wednesday, 22 August 2012

22nd Aug 2012 The Far West - A Love Story

Aug 22A
It lacks the gritty elements and rugged, breathtaking scenery of the wild west, but the pure magic remains in the new stage play, based on a popular comic strip serial, 'Calpunio', with 'Cuttlas' the famous 'pistolero' the gunman. It's on now in the Theatre Raval in Barcelona.

You wouldn't see Clint Eastwood or any of the other legendary Hollywood cowboys in this play. Cuttlas is not even flesh and blood but special puppets, NOT on the strings, nor made of rags with the head of cement or wood, but some pliable wire-ropes that 'draws' out the silhouettes of the many characters, 'acting' out all the actions and emotions. Yes emotions. More than that, love, as it's basically a love story.

The story-line braids around the love of Cuttlas and his eternal beloved Mabel. Not leaving out, of course, the baddie Jack, and the pensive Juan Bala, (at least when he is awake, in the shade under a tree and his Mexican hat) The adventure develops and terminates in the uproaring shindig of a rave Cherokee organized by the DJ Jeronimo. Apart from the electronic rhythm there's also direct live music, with sounds between ragtime and primitive jazz, with flavour of the so called spaghetti western.

To say that the play has no actors is not really correct. They are there, and famous ones too, who have to learn their lines as any other actors; but they act and talk behind the scenes, together with a large team of technicians just like any other major theatre production.
 

In the imagination of comics, anything is possible. I got the imagination to match too, and I love comics in their many forms.
Puppet-Love
Prev: 22nd Aug 2012 The Most Exciting Woman On Earth

22nd Aug 2012 The Most Exciting Woman On Earth

Aug 22
I spent a good part of last night watching vintage recordings of Eartha Kitt's TV shows, especially the 3 part serial restored to it's splendour by Tony, one of the regular contributors in the Multiply Fine Arts Group, who is a master of such skills. I have known about Eartha Kitt of course through the many songs of hers and all the brilliant publicity that every now and then, still circulates about her and her achievements in show business over the last half of the century. I know that she was a world known figure in the field of entertainment, an accomplished dancer, singer, cabaret performer and actress, hailed by Orson Welles as 'the most exciting woman on earth' and by a critic as 'capable of setting fire on songs', and the unanimous accolade as 'a very sexy' woman'.

As is with most people, and as much as I love all that I have seen and known of her, never before had I thought of finding out more about her until it's too late. Naturally since her death on Christmas Day all media all over the world have published all sorts of reports of her incredible career, and snippets of her personal life; my own regret is I don't remember having seen her work as an actress. Or, if I had, I can't recall any of it. Maybe I am not alone in this. I would dearly love to see a couple of her movies purely as an actress, not just someone who sang in a movie. Wonder whether Tony has got some of these tucked away in his treasure trove?

I know about some of the film titles. She debuted in Hollywood in 1948, and later appeared in Orson Welles's 'Helen of Troy', his film version of the theatre production 'Dr. Faustus'. Then in 1957 she appeared in the film of Michael Audley 'The mark of the Hawk' with Sydney Poitier (I always thought him gorgeous), and her role in the TV series of the 60's 'Batman' where she substituted Julie Newmar - I know something about this latter too have seen a very interesting film about her. Another legendary star, another story.

In 1968 Eartha Kitt's career path took an unexpected and unfortunate turn when, after a lunch organized in the White House, she showed to be contrary to her country's participation in the Vietnam War. Her declarations provoked boycotts of her shows in the United States, obliging her to a professional exile.

However she returned to New York triumphant eventually in 1978 with the musical 'Tumbuktu' presented in Broadway, and her career took off again flying, very active and working till 1997 with several of her most famous songs like 'Santa Baby', 'My heart belongs to daddy', 'Let's do it', and those in French 'C'est ci bon' and 'Je cherche un homme'.


She was one of these rare stars that fits the saying: Once seen, never forgotten.

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