Saturday, 25 February 2012

25th Feb 2012 Thinking Still About Warhol ...

Feb 25B
I was talking about art market in an earlier Blog today, while the art world commemorates the 25th anniversary of his death. Today we have sufficient perspective to evaluate his legacy. What Andy Warhol represented for the visual culture of the 20th century? A lot. He was in a way a lawbreaker, regarding art as business and broke all rules established for art. He paid more Value on conceptual images extracted from publicity, using a rapid productive technique with ink like serigraphy, method of printing by pressing ink through a silk pattern.

Warhol is actually in all sorts of places today, in advertisements, in Photoshop, in TV realities, in electoral campaigns ... He understood more than anyone that our life is like a television programme and we are all entitled, at least, to 15 minutes of fame.
 
But what exactly Warhol represents in the art history? Little, I think, brought in something new to the established tradition as the great maestros of the 20th century did like Picasso, Miro, Dali, Pollock, Rothko ... No. Warhol not only ignore it but he reversed the art value appreciated till then: uniqueness, technique, and iconography; dismantling traditional scaffolding, converting all in business: money, pure & simple.

He was the only artist in the art history who painted portraits of famous people he didn't even know, as he wasn't interested in capturing their soul, just selling their image. Why was he then liked by so many? So popular? I think it's because his work was so recognisable, so iconic. A child can recognise his images as well as a rich art buyer who likes to possess paintings that his friends know perfectly the value of. Warhols like Ferraris.
 

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