
Jeremy
Bailey, Canadian, is a real one man band in the digital age. Autonomous
and independent, this visual artist and performer acts as protagonist
in videos he himself has made and edited, in real time and in a
programme of his own creation, at the same time, retransmits them
through Internet or other closed platforms.
The screen of the computer is converted into a supporting stand, a frame and a stage for short or brief audio-visual stories, often ironic and surreal, in which Bailey parodies the functions and the idiosyncrasies of the computer and it's users. The Operative Visual System, the software of his creation, permits him to do video-performance directly, like the SOS, a mini series of 6 episodes he made and produced for the Canadian television, in them Bailey illustrates the use of the programmes with subtle irony, in a moderately enthusiastic tone, typical of the type of divulging documentary and commercial videodemo, showing how to use some popular programmes. During the Toronto Urban Film Festival, this software permits Bailey to transform himself into an Ad-man, substituting parts of his body with publicity in the video 'Your ad here', which is projected in the monitors of the metro of Toronto during the days of the festival. To determine the position of his arms in the 3 dimensional space, the artist combines his programme with the controller of the Nintendo Wii. "I made my first audio-visual action when my friend and professor, the famous video-artist Colin Cambell, died of cancer. In the video, titled: Bye bye bye, the movements of my arms are synchronized in the way that they seem to move the screen in the space." explained Bailey, who is rapidly becoming one of the most sought after by programmers of multimedia festivals, which multiply during the spring and summer. The video 'Terraform Dance Party' first shown in his exhibition 'Machine Ego' in the 2 of 2 Gallery in Toronto, Bailey put right up front a 3-dimensional system which created a virtual landscape instantly, while he illustrated the process of the work, and revealed tricks of the programme with black humour. In the coral War Mail, conceived for his exhibition in the HTTP Gallery in London, he premièred a new software with which the public could participate in the action through their movements and sounds. After equipping the public with digital pencils, the artist involved them in the collective editing of a delirious email for his mother, while he leisurely continued his space videogame. Amongst his work, one of the most entertaining is called 'Don't mouse around', where the nightmare of the exhausted programmer materialised in mosquito cursors taking control of his inert body ... all sounds fun ways to learn how some new programmes work! Well I don't really have enough space to list his amazing multi-talent. Nor do I have enough tech-knowledge to understand how all his system or creations work. You just have to look him up yourself. Tag:MouseAround |
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